Carolina Chocolate Drops: "Leaving Eden"

I have wanted to check this band out for a long while. I read a piece on them in the excellent magazine Country Music People and it basically said that banjo is originally an African instrument and this band wanted to reclaim an often forgotten part of American folk music, the African American part that is.

Not that this band has to be "the black band". They're a real powerhouse of a band on any merit, black or white, but it's still a recommendable thing they're doing. I had the pleausre to aquaint myself with this tradition on the compilation The stuff that dreams or made of and I liked it. Normally when you speak of African American folk music, it begins with Robert Johnson and ends with Muddy Waters. Sure, I like blues, but it would be a shame if the black string tradition would die out and this trio does it's best to prevent it from doing so.

To be honest, I am perhaps the wrong man to review this record, as I don't know too much about the genre, but I sure like it.

So it would be a shame if I just kept it to myself and didn't share my views on it.

American folk musics are to some extent intermingled with each other. There's a real blues feel to good bluegrass and there is sure some European influences in the music of Carolina Chocolate Drops, but still most of it is African-inspired.

When I read on them in the CMP piece, it said they sometimes cover modern R&B songs and I have already listened to their famous interpretation of Blu Cantrells Hit 'em up style. On this record, they take this step one step further by not only interpretating modern music through folk styles, but the other way around too. They bring R&B to folk by beatboxing and scratching, they give their music a real urban flavour.

But they never downplay the strings on any tune, 'cept for the a capella tunes Read 'em John and the beautiful Pretty Bird.

So, what you get musically is a folkish album with roots everywhere (even in Scotland!), but most of all, as the lyrics to the best tune on the album, Country girl, explains, in the deep south.

There are no bad tunes on this album, even if all tunes aren't great. Still, it's agood album and by buying it, you support a hardworking young band that is really doing an effort to make brilliant music and saving a tradition in doing so.

All in all, as I said, a good album. I give it 78,9% in level of satisfaction!

Earl Scruggs: 1924-2012

I originally started listening to country music, cos I was a fan of Johnny Cash's lyrical writing and I wanted to be able to write as good lyrics for the punk rock band I was singing with. For a few years, Cash and some com pilations I had gotten from a pal, as well as the great Swedish country band Jimbob Convoy, was all the country music I was listening to.

Then I started to, as I grew increasingly tired of punk (punk is still my first love, I just don't listen as much to it theese days), I started buying more country music records and I had always been a fan of Cajun music, so I decided to check out the other genrés within American folk and I discovered bluegrass.

It was thanks to a salesman at the brilliant Folk Å Rock record store in Malmö that I s´discovered Dock Boggs, Earl Scruggs and the other banjo legends. Persistent readers of this blog must have noticed that I have written more on banjo pickers than on any other genré the last months. I simply cannot get enough of banjo music.

Though I really like Boggs as well, mostly cos of his brilliant lyricism, I think Scruggs was the greatest banjo picker of the last century. He changed the sound of bluegrass and American folk forever with his inventive style of picking his banjo. It's like ska music, you simply cannot avoid feeling happy from listening to it.

Therefore, it is with great sorrow that I learn that mr Scruggs passed away yesterday.

I learned of his death from Dwight Yoakam on Facebook, who paid a nice tribute to him and I do believe the whole country and bluegrass communities will pay a massive tribute, a fitting tribute to a genious with the banjo that will never be outdone.

Scruggs was the greatest. Rest in peace, Earl, you'll be missed.

Earl Scruggs, "Classic bluegrass live 1959-1966"

I like this record. I like it a lot, I can't stop listening to it no matter what it does to my image as a former skinhead with tattoos and stuff.

Still, I think I like bluegrass for the same reason I like ska music, it makes you happy listening to it.

As someone raised in the oi! scene, lyrics mean a lot to me, but strangely, I don't care if the lyrics to this album are a bit naive. Take, as for an example, the lyrics to Jimmy Brown the newsboy, not something Kris Kristofferson or even Zac Brown would have penned, but who cares? This music is made for dancing, not for changing the world.

This album is, as the title gives away, a live album, collecting appearances by Earl Scruggs from three folk festivals in Newport, 1959, 1960 and 1966. Scruggs had then become a legend, not just among the traditional bluegrass punters, a scene he had changed with his groundbreaking way of picking his banjo, but also among the trendy middle class students who had discovered American folk music, a scene spearheaded by Bob Dylan.

There's a lot of stuff coming out from the 60's and most of it hasn't aged well. This album, however, has aged surprisingly well. Scruggs music is timeless.

Another thing which strikes you is how well it sounds live. Today, you get a lot of artists recording as their first priority and using computers to enhance their music and though it might sound the business on disc, they come out sounding poor live. You don't get that with Earl Scruggs, listening to him, you listen to someone who simply loves playing live.

I am going to look for more records by him, definitely!

A near perfect record get a near perfect level of satisfaction, 96,1%