DVD: Kinky Friedman, "Live from Austin, tx"

/ ARTIST: Kinky Friedman / TITLE: "Live from Austin, tx" / GENRÉ: Musical film / FORMAT: DVD /

A very good friend of mine, like me, a former skinhead and unlike me, a man of great musical skill used to play with a Swedish country band and he usually knows what I like and sometimes comes with a few pointers, like "you might like this".

As he has been talking of Kinky Friedman for ages, I was glad when I found this DVD at the brilliant FolkÅRock record store in Malmö.

Before I had watched this DVD, I had actually never heard his music, but I did know that Kinky is jewish, a loudmouth, highly intelligent and of some musical skill. In other words, a darling of the alt country left wing environment.

Now, though it is true I don't like everything my buddy advices me to listen to, I don't share his love for Faron Young, as for an example, he is guilty of making me check out Townes van Zandt, for which I'm ever grateful. Kinky, I'm sad to say, is another addition to the list of performers I find overrated. Yes, I said it, it's time to start roasting sacred cows.

The music is ok, but nothing special. This show was recorded in the 70's and the appearance of the band is not the only thing flowerchild-hippie-longhair-wanker thing about them, parts of the music is more Woodstock than Muskogee. True, there's a few decent tunes on this disc, mainly the more rock & roll/R&B sounding stuff, but I can't say I particularly like the music.

The thing which really disturbs me with Kinky, though, is not his music, but his lyrics. Some of the tunes try to be funny, but aren't exactly above the level of oi! music's most overrated act, Splodge and some of it tries to be political, but only ends up as a load of crap.

To be honest, I don't see how his lyrics are "alternative" in any way. Now, there are obvious sides to American culture that aren't very nice, but I'm a Swede and it's not up to me to slander the USA, but Kinky is American and if an American wants to criticize his country, it should be his right to do so, but also his duty to present serious criticism. On this, Kinky fails, big time.

Kinky manages to put his childish humor lyrics together with "criticism" of American culture in a way that it neither becomes funny nor serious criticism. He most of all comes across as a middle class intellectual who wants a better society, but ends up blaming the working class instead of the bosses and big government. I don't buy that bullcrap. If you're not working class, got musical and intelligence gifts and want a better world, you ought to make yourself a servant of the people and sing like Woody Guthrie, instead of making fun of the very people that should drive the change.

Nope, Friedman, you don't fool me.

Some of the tunes are musically alright, so I'm not gonna slaughter this DVD totally, but it's actually that bad in my ears that it only gets 34,7% in rate of satisfaction.

Valerie June, "Pushin' against a stone"

/ ARTIST: Valerie June / TITLE: "Pushin' against a stone" / GENRÉ: Folk / LABEL: Sunday Best / FORMAT: CD /

I first acquainted myself with miss June's talent on the Letterman show and decided that I must buy her CD, which came out earlier this year. When I caught her on the Letterman show, it was said that it was her debut on telly and I watched a few clips on youtube with her and all of a sudden, things just took off in number of viewers on youtube, as well as "likes" on facebook. I think miss June has the ability to become a crossover act and earn respect outside the narrow circles of folk crowds.

Anyway, the first thing that hit me while seeing her on the telly was the obvious beauty of the woman, second, I liked her voice and thirdly, I really loved her music. The tune she played was Workin' woman blues, which made me, while recommending a mate of mine to check her out, make the comment that this is what Townes van Zandt would sound like if he was a young african american woman.

Such a remark, after having listened to her whole album, is still valid, but it doesn't cover all of her abilities, because miss June has a unique expression of music. Still, while she may not live up to van Zandt's intelligence and emotion in lyrics, she comes pretty close and does communicate, at times, the same feeling I get while listening to Townes.

Another cool thing about miss June, which sets her apart from ordinary folk singers is her eclectiveness. She doesn't sing pure folk, american way, but puts rich offerings of african american culture in her brew. You can hear blues, as well as gospel, soul and west african folk music in it all and, perhaps influenced by another fave act of mine, the Carolina Chocolate Drops, brings in a soft hip hop flavor with a few electronic beats to some tunes.

Valerie June is cool, gifted and in every sense a blessing to all non-orthodox fans of american music, country fans and blues fans alike will like this.

Easily one of the best albums of the year so far. Don't miss her and remember where you read about her first!

A pretty good record like this gets a whoopin' 83,6% in rate of satisfaction!

Johnny Cash, "Hymns by..."

/ ARTIST: Johnny Cash / TITLE: "Hymns by..." / GENRÉ: Country gospel / LABEL: Legacy / FORMAT: CD /

For a long while, I've been in doubt whether I should review my absolute favorite performers, performers like Johnny Cash and Townes van Zandt. These people were that talented that my words simply wouldn't do them justice.

However, when it comes to Johnny Cash, the man together with Nathan Abshire, that made me discover American people's music, I think there's a lot of revisionism going on. Punks and skinheads, the scene I have belonged to and whose music I still listen to, have claimed him. Even out and out anarchists listen to the late master.

It's easy to see why. When you belong to a subculture as hated as skinheads are, then the outcast anthems of Johnny Cash are well appreciated. I am a labor man myself which I have stated when I reviewed Dock Boggs and although I'm not politically active, nor agitate, I appreciate the songs about social justice that only Johnny Cash could pen.

But, like Dock Boggs, Cash had another side than the social rebel's, he was a Christian. So am I.

Of course, everyone who has seen the Walk the line movie, will know how he started out as a singer of gospel songs and tried to cut a record deal as a gospel singer for Sun records. Which failed.

I have always thought that Cash brought a bit of gospel feeling into his rockabilly and country stuff. On this record, which gathers hymns performed by him between 1958 and 59, one can almost say that he brings a country/rockabilly attitude to his gospel music.

Must've come as a shocker for those who had thought of him only as a rebel. Today, Christianity means being a rebel in a world that has fallen into the sinful depths of fornication and consumption.

True, there are performers of gospel music who are better than Cash, I am thinking primarily of The Louvin Brothers, but Cash brings his Cash-ness to it all.

Of course, Cash's music is timeless and so is the message on this record. Christianity remains, however unpopular it is to say so, the way, life and the truth. The lyrics are thoughtful and not written by someone who wants to cash (no pun intended) in on the gospel scene. They reflect the living faith that mr Cash had on earth, which lead him to his social convictions. He still has this faith today, I'm certain, as he watches over all his fans on earth from Heaven.

I am sure that this little CD is one of the most relevant things Cash ever recorded, some of the tunes being his own, some being written by other and a few timeless classic and this part of his legacy should not be forgotten.

Cash shouldn't be made a rebel that refused to conform to society's norms alone. He had this side to him, true, but it was fed by a stronger conviction than provocation for provocation's sake. It was fed by the conviction that us Christians must make moral choices, love our neighbors and not fall into the trap of conventional sins.

This is one of the records in my collection that I value the most. It's a real gem of a plastic disc.

A perfect record like this get 100% in rate of satisfaction!

Emmylou Harris and Rodney Crowell, "Old yellow moon"

/ ARTIST: Emmylou Harris and Rodney Crowell / TITLE: "Old yellow moon" / GENRÉ: Country music / LABEL: Nonesuch Records / FORMAT: CD /

To be honest, I haven't heard too much by Rodney Crowell before, so I can't really say anything about his input on this disc as compared to previous works.

Emmylou, on the other hand, has aged beautifully and I don't just mean her looks, she's still got a great voice and is anything but just a pretty singer. If she was, she wouldn't keep on doing her thing for as long as she has lasted and I consider her as great as Loretta Lynn. She impresses me as much when she does love songs as when she covers Townes van Zandt and though there are no Townes covers on this disc, she does touch a few serious subjects too and there's a strain of melancholy on quite a few numbers on this disc.

Merle Haggard was absolutely right in paying tribute to her on the record he released the other year. Emmylou means class.

That being said, this record, which is full of various flavors of country, bluesy stuff, waltzy stuff and ballads, isn't exactly groundbreaking. I know, I am an old fart and a jackass in disguise as a middle aged European geezer and I like the old stuff better than the new stuff on the country circuit. Most of the stuff being produced nowadays is utter shite. But then again, every age has had it's rebels and it's old farts and jackasses whom have considered the new stuff to be anything but country.

I like it, but to be objective, this isn't as good as the hype says. It sounds like country should sound according to me and country is supposed not to be the music for geeks like me, but for dancing on a Saturday night tavern over a few bottles of Budweisser and I suppose that much of the music on this record is danceable, it's just that it sounds like stuff you've heard a zillion times before. I wish some cool kid could make a record sounding groundbreaking, yet drenched in tradition.

Lyrically, you get a cocktail of love songs, as well as songs about drinks and drugs, even coffee and one tune about a bull rider.

I like this record, but I'm sure that Emmylou could pull something better off, therefore, not a perfect rate.

I wouldn't say it's a must-buy, rather, listen to the record first at Spotify and if you like it, support the artists by purchasing it!

I'll give this disc 61,8% in rate of satisfaction.

Frank Hutchison, "Complete recorded works in chronological order, volume 1, 1926-1929"

/ ARTIST: Frank Hutchison / TITLE: "Complete recorded works in chronological order, volume 1, 1926-29" / GENRÉ: American folk music / LABEL: Document Records / FORMAT: CD /

Who says Sham 69 invented street punk? Frank Hutchison had a lot of punk attitude, despite this record  being made with only acoustic guitars, fiddle, harmonica and banjo. Hutchison was a working class man, like so many other of the musicians in his time, he befriended black musicians (but had no qualms with performing a black face routine) and his lyrics are punk too.

But what made me think of punk when I listened to this record is the fact that Hutchsion performs with an enormous speed at some tunes, it's "faster, louder" 50 years before it's time. Some of the rag-times on this album could easily have been made by some punk combo, if they had been recorded with electrical instruments and drums.

On this album, you get, which is logical, as it is the beginning of his complete works, a showcase of his enormous repertoire. You get a lot of blues numbers that could've been recorded by black performers, the quality of the guitar play is that good, only his voice, which I find mediocre and his least quality in music, give him away. He sounds like a southerner trying to pass as a New England man.

You also get, apart from proper blues numbers, early country tunes, singing-free rag-times where Hutchison shows his great techniques with the guitar, pre-bluegrass and talking blues numbers.

I really like the Document Records project of re-releasing on CD a lot of old-timers that would otherwise be left as the luxury of anal 78-collectors. Yeah, record-collecting has it's charm, but at some time it has to be about the music and not about rarity, so let the collectors collect vinyl and let us ordinary fans of American music listen to these CDs.

No mess, no fuss, just pure impact. If you like old-time American music, you'll love this album, I think Hutchison was one of the best performers of his time and this little record should have a place in the collection of every true fan of the genré(s).

The only thing I'm slightly miffed with is the fact that the bio, as usual, is bloody short. I'd love to read more about him.

Get this record!

A great record like this gets a great rating. 94,3% in rate of satisfaction.

DVD: Merle Haggard, "Live from Austin, tx"

/ ARTIST: Merle Haggard / TITLE: "Live from Austin, Tx" / GENRÉ: Musical film / FORMAT: DVD /

It was a bit of a let-down that three of my favorite Hag songs weren't included on this one, namely Branded man, Okie from Muskogee and The fightin' side of me. But Merle is forgiven, cos included is a number of other great tunes, like Workin' man blues.

This DVD captures one of the greatest country music performers of all time (who continues to make great albums to this day) and it captures what is so special about the Hag. He is, as I see it, the missing link between the 1950's-60's Bakersfield sound and the 1960's-70's outlaw sound. He incorporates part of both sounds, the brutal guitars from Bakersfield, as well as the bluesiness of the outlaw scene and lyrically, he is just as credible when he sings about love, as when he sings about a prisoner waiting to be electrocuted.

Another great quality of Haggard's is the fact that he can play his music with a few guitars, bass and drums, as well as with a bigger band, as on this DVD, with strings, piano and saxophone. If the 60's demanded that you played down to the bare essentials and the late 70's got back to bigger bands (this recording is from 1978), Merle does both things just as good. He plays his Workin' man blues just as credibly when he is backed up by his band, as he does when he does it with an acoustic guitar.

But Merle also surprise us by playing the fiddle on a few tracks and does it surprisingly well. Again, we're in for a surprise, as Haggard plays a few western swing numbers, as well as old time feeling country tunes and proper blues.

But even though the musicianship alone makes the Hag one of the greatest country performers of all time, his lyrics is what makes him stand out as unique. No one has captured the daily struggle of the white (not that it matters), protestant (again, not that it matters), blue collar working man (which matters) nor the sentiments of jailbirds like the Hag has. Commies can rant all they want about proletarian culture, but the fact is that none has come as close to describing working class reality like mr Haggard.

New West Recordings should have a lot of credit for publishing these DVDs and this particular DVD is one of the better and is recommended not just to fans of old country, but also to fans of Taylor Swift, if they want to discover what country once was, as well as to fans of music in general, as the Hag is strong enough to appeal to all music lovers.

This is a near perfect DVD. Had my other three fave tunes been included, it would've reached highest rating, but now I give it 95,6% in rate of satisfaction.

Buy this DVD!!!

Film: "Country Strong"

/ TITLE: "Country Strong" / GENRÉ: Drama / FORMAT: DVD /

OK, let's have it! This is a romantic drama, the kind of flick you want to see with your girlfriend and not the type of movie I'd usually give a fair try. However, this film comes with a twist in the form of a great country music soundtrack which is perfect if you wish to make your girlfriend discover your own passion for country music. And although a romantic drama, it should be stated that some of the drama in this movie could've been written by the late Townes van Zandt himself.

Anyway, you know a flick is going to be great if it opens with a Merle Haggard cover. OK, Silver wings is not one of my fave tunes by the Hag, but far from his worst and to be honest, I think Merle Haggard is one of those artists that keep on making good tunes.

As I said, it starts with a Hag cover, as played by a young singer-songwriter, "Beau" (played by Garrett Hedlund) in a small honky-tonk. The next setting of the film, we get to see him driving to the rehab, where he works and in which a super-star of country music, Kelly Canter (played by Gwyneth Paltrow) is receiving care. They share their love of music and fall in love with each other too, though there is no sex scenes this far into the movie. He plays a few of his songs to her and she likes the music. She likes it that much that she, after having been written out too early from rehab in order to go on a tour, she convinces her hubby, Jimmy (played surprisingly well by Tim McGraw) that Beau should be the opening act.

At starters, Beau doesn't want to go. He likes playing in his honky-tonks and doesn't crave for fame. Finally he is convinced and it wouldn't be much of a flick if he didn't, would it?

Now for the catch! On the tour, a young, former beauty queen, who wants to start a career in country music, but freezes of stage fright every time she's supposed to go on, is to follow. This girl, Chiles Stanton (played by the beautiful Leighton Meester) has a beef with Beau, but you get the feeling that the feelings Kelly have for Beau are shared by Jimmy for Chiles.

What follows is a sort of A star is born for the early 21st century, only this time it's centered around four individuals and give the flick some time and you'll see how things change emotionally.

This is not just another romantic drama. It has a dark undertone that makes it an intelligent flick. Then, to us fans of country music, it has another dimension to it as well, which I think makes it worth watching. It's almost a comment on the country music scene of today, where Beau is the old fart and jackass and Chiles the typical pop-country starlet with no respect for the roots of the genré. At one stage, Beau is called "the new Townes van Zandt", whereas Chiles ask who Townes van Zandt is. That says something, not just about this movie, but about the country scene of today as it is.

I really liked this flick a lot more than I thought I would and I do not understand why it didn't run on Swedish cinemas.

It's not a masterpiece though and some times it gets a little bit predictable.

But all in all a good film with a good soundtrack. I'll give it 78,3% in rate of satisfaction! See it!

Willie Nelson, "Live from Austin, Tx"

/ ARTIST: Willie Nelson / TITLE: "Live from Austin, Tx" / GENRÉ: Musical film / FORMAT: DVD /


Much has happened in the world since I last wrote on country music on this blog. For starters, Blake Shelton made his infamous "old farts and jackasses" statement and, very sadly, a legend passed away, none other than George Jones.

The two things can be seen as two sides of the same coin. The old timers are getting old and soon there will be no "old farts" remaining in country music and as the young generation takes other, there will be what Merle Haggard called "too much boogie-woogie" and not much traditional country. Even Dwight Yoakam is getting old.

Anyway, I often say that other people got Joy Division and Morrissey, I've got Buck Owens, but performers like Willie Nelson comes pretty close too.

This DVD/CD is a live recording of Nelson's music, spanning most of his career as it looked when he recorded this in 1990. You got all the faves on it, tunes like On the road again and Always on my mind, as well as some tunes from the start of his career like Crazy.

I've got straight edge and am no big fan of drugs, that goes without saying. Still, I think Willie Nelson, does a good job at singing, with his distinctive voice, whether it's christian music like the tunes on his Troublemaker album or the druggier stuff like his recent duet with rap legend Snoop Dogg, he always delivers.

Anyway, you don't get any open drug propaganda on this vid, but you do get music that breathes of the 70's drug-fuelled music and a couple of "far out" treatments of instruments.

But maybe this is Nelson's grandeur? That he can consume that much ganja and still remain active as a great artist. Artists who consume ganja quite often degenerate and their music becomes intolerable. Not so with Willie Nelson.

Fact is that Willie, despite being a junkie, sounds as good live as on record, something many artists of today can't manage. Over all, the band and Nelson makes a good impression of a bunch of lads and lasses who've enjoyed playing this kind of music and done it for a long time.

On this piece of recording, you also get a duet with Shelby Lynne, whom I hadn't heard before, but who's got a great voice.

I really liked this vid and would recommend it to anyone who likes country music and to fans of Willie Nelson, it's a must-have.

A vid as good as this gets a good review, 81,3% in rate of satisfaction!

DVD: "Elvis, the king of rock'n'roll"

/ ARTIST: Elvis Presley / TITLE: "Elvis, the king of rock'n'roll" / GENRÉ: Musical film / FORMAT: DVD /

This wonderful DVD has been in my collection for a while, but I haven't watched it until now.

What you get on this disc is a collection of TV performances and parts of his movie acting career where he sings. This means that some of his best stuff, the stuff he did at Sun records, before he got a chance to be on the telly, stuff like my all time fave Elvis tune, Mystery train, isn't included. That's a pity, I'd love to see someone unearth old amateur films of his performances from the mid-50's, if they exist.

There are 30 numbers apart from two bonus material-press conferences on this disc. Most of the stuff is from his hey-day, the 50's TV performances and his many films from the 60's. This fact means that you get a lot of material which harks back to the days when the establishment tried to tame him and make "safe" numbers about teddy bears, but, sure enough, Hound dog and Heartbreak hotel are included.

You also get a few cuts from his comeback in 1968, as well as some of his 70's stuff. Now, I like the schmalzy side of Elvis too, his ballads and his teddy bears, but there is something wrong when he performs with a big band. Rock'n'roll was meant to be played with guitars, bass and drums. Not, as I said, with a big band and a million background singers. Most of the stuff made by the king in the 70's is just the antithesis to what one appreciates in Elvis. The one big exception vein Suspicious minds, of course. You can try to tame Elvis and give him a rhinestone jacket, but in the end, a rebel remains a rebel and Elvis was, as top UK punk band What A Riot put it, "born a rebel".

When Elvis performs Suspicious minds, a tune that will go down in music history as one of the best tunes ever made by any human being, you can glimpse a bit of 50's Elvis, dancing, singing and joking. Top quality! It doesn't get much better than this!

Apart from the "true" numbers, you get some of the most joked about Elvis tunes too, like Are you lonesome tonight?, which I won't comment and In the ghetto.

The ghetto tune has been ridiculed, but I don't find that funny. Sure, Elvis was rich and famous by the 70's, but he had a background in deep poverty and knew what he was singing about. I appreciate Elvis, cos he was very much an antithesis to the pot-smoking hippies at the time (sorry, Willie Nelson, you still rule!) who didn't know what they were singing about, but trying to make a stance as radical as possible. The fact that Elvis, icon of another generation, takes his time to write a protest song, which he pulls off with full credibility in my book, speaks more to his favor more than any MC5 tune.

If you're an Elvis fan, you're gonna like this. True, there's a zillion Elvis clips on youtube, but this a movie and well worth the investment. Any Elvis fan should have it in his or hers collection.

A great DVD like this naturally get's a high rate of satisfaction, 96,7%, to be precise!

Jerry Lee Lewis, "The best of..."

/ ARTIST: Jerry Lee Lewis / TITLE: "The best of" / GENRÉ: Rock & roll / LABEL: Crimson / FORMAT: CD /

To my generation, those born in the 70's, too young to have experienced the first wave of punk and too old to fall for all the shite on the pop charts, we have to settle for retro. Myself, I like old school punk, old school country and old school rock & roll.

The problem with retro when it comes to soulful music like all those three genrés, is that you can't really appreciate how groundbreaking it was when it first shook society.

Sure, punk was rebellious, but them kids were wearing designer clothes that ordinary folks couldn't afford and the anarchist message was very much a middle class pose.

No, I don't think any musical genré has shook society to the extent that early rock & roll did. Here you have a nice, well-mannered nation who listens to Jim Reeves (that being said, I bleeding love Jim Reeves) and all of the sudden two southern kids appear on the charts. One shakes his hips in obscene ways and another kids sings about what the first one symbolize with his fits. To top it off, he sets fire to his piano. What ever punk did, it had nothing on Jerry Lee Lewis, not even the first wave of real punk. I'd much rather fight Jimmy Pursey of Sham 69 in a fist fight than that mean old geezer Jerry Lee Lewis. Gary Hodges of the 4-skins is a different kettle of fish entirely, though. I think the only genré that has ever come close to the impact of early rock & roll is oi!.

Well, enough the manners of that old rebel that will surely go to his grave a rebel and let's talk music, cos, at the end of the day, that's what matters!

Not surprisingly, what you get on this record is the best of Jerry Lee. According to the bloke that put the record together, at least. There's a load of covers on this album and I would've wanted to see the Big Bopper's Chantilly Lace being covered too. If anyone doubts that this is one of Jerry Lee's best covers, just get on youtube.

The record is a bit predictable, with other words. You get great tunes like Whole Lotta Shakin' Goin On and Great Balls Of Fire. Great tunes and well established ones of his career.

Maybe precisely cos it's full of lack of surprises it makes this a good record. Not a perfect record, but a good record. Perfect to give to those of your relatives that were young in the 50's or to anyone interested in the ear and to be honest, that's what Best of's are for.

As I said, there's a load of covers, some better than others. I was surprised that, his voice being so different from the original singer, Jerry Lee could make such a brilliant version of Malcolm Yelvington's rockabilly classic Drinkin' Wine Spo-Dee-o-Dee. It's better than the original and the best cover on the album, the worst being a piss-poor version of Hank Williams Sr's You Win Again.

Jerry Lee has never had the voice of other greats of the era, but with the voice he had, he managed to put across the spirit of youth rebellion like no other and irregardless of what you think of his personal qualities, at least he's one of the best piano players in the industry and that piano and voice is backed up by a driving drum sound.

I really liked this record and it get's a whoopin' 91,3% in rate of satisfaction!